Even More notes on writing deaf characters
Talking
- People talk to themselves and that includes Deaf people
- I sometimes sign to myself, but whether I mutter or sign depends on why I’m talking to myself
- Cooking? Verbal speech to keep myself on task. Trying to work out an emotional scene? Signed speech.
- And using my whole body to talk to myself is allows more creative freedom
- Also even if a Deaf person identifies as non-verbal, they might still talk
- maybe a hearing person wouldn’t recognise it as speech, but sound is a part of signed language
- so muttering and breath-noises are common.
- It’s also worth mentioning that “sounding deaf” isn’t what you think it is.
- We don’t yell or make incoherent noises (usually)
- and even if we do, that’s fine
- but generally, people who are Deaf over-enunciate and speak very clearly.
- This is either intuitive and perfected over time, or taught in speech therapy.
“How much can you hear”
- People love to ask this question, and I can’t give them an answer.
- Unless I’m feeling snippy. Then I usually ask “Well how much do you hear?”
- They can’t answer either.
- Ergo, if you’re hearing and writing a d/Deaf character, don’t compare the way they hear the world to the way that a fully hearing person would.
- Be particularly wary of percentages
- I’m 75% deaf
- and I have no idea what that means
- because hearing loss is very nuanced.
- I’ve met someone who is 80% deaf, but she could hear in pitch ranges that I couldn’t.
- Hearing aids don’t emulate sound either
- so how a d/Deaf character hears with them in won’t be at the level a hearing person would
- it’s also very obvious that the sound is electronically enhanced.
- Putting in earplugs and walking around like that will not provide “Deaf experience”
- you’re better to listen to Deaf people telling you how they experience the world.
The craft itself
- Don’t fret about your word choices initially
- you have the privilege of hearing and that’s okay
- you take sound for granted, don’t worry about it.
- (Yet)
- Once you’ve got the story how you want it, set aside a whole revision just for using the right language if your POV character is Deaf
- printing out your manuscript in a different font is very helpful
- it’ll make it easier to pick out “red flag” words and phrases.
- Whenever you find a chunk of writing focused on sound/hearing, highlight it
- and then tear it apart.
- Can your character actually hear that owl hooting, or would the background noise be too blurry?
- Would your character hear the sound as it is, or would they have an association that overrules the sense?
- I.e. do they see a raven open it’s beak and think about black bubbles of ink in their throat? I know I do.
- Cross out any hyper-focus on sounds or re-write them in a different way.
The golden rule
- Don’t write deaf characters
- Write people who happen to be deaf
- Please, include us.
- Thank.