Anonymous said:how do you manage to put characters with vastly different standard palettes into scenes together but keep everything harmonious? if that makes sense? I have a hard time with colour whenever i actually try to properly utilize it and putting multiple characters into one scene is incredibly frustrating because their palettes don’t always work together. :c
I don’t actually know if I’ve effectively answered your question with these, but I tried! This post from a long time ago might also be relevant.
I didn’t have time for a cute fashion picture today, so… here’s your reminder that there are 21 days to go on the Cucumber Quest Kickstarter!
NEW PALLETS!!!!!! Pleeaaassse send a number and character if your interested! I’m super excited about all these new colors! Ive gone through all the other ones on the last pallet! So send them if you like!!! I love doing this to show my appreciation for and thank all of my awesome followers!!! And its a good distraction and project for me right now.
Thank you guys! I LOVE YOU
GO AHEAD AND SEND THEM!
I really want to try this!
Jean-Luc Godard Week
Contempt, 1963
Cinematography: Raoul Coutard
