A breakdown of medieval armor, since a lot of pieces are required to create a full suit.
ref

“I’m afraid you have stage 9 animes.”
“Doctor, what’s going to happen to me?”
*Doctor turns away from the patient and speaks in a grim tone.*
“Your desu has advanced too far, you have less than a week to live.”
9 basically describes the faces in my art in general! XD
THERE ARE DIFFERENT KINDS OF PEONIES idk which one so i just drew the one that most people use
I’m sorry it’s no vrery detailed lies on my side
EXTREMELY IN-DEPTH GUIDES TO DRAWING DIFFERENT ETHNICITIES
Part 1
Part 2
Part 3I am just crying tears of happy joy and whispering GAIAONLINE TAKE NOTE
‘the Irish head (skull) is one of the largest in Europe’
‘Irish are broad built and large boned’
‘Irish have characteristically thick eyebrows’
whelp
guess I know what to blame my problems on
thanks genetics
but no this is a great resource totally rad check it out
This is really, really fascinating!
i’ve been waiting for this reference for a million years
for faces hmm i wonder if this would help you?? but for poses this is pretty much what i do:
I REALLY HOPE IT HELPS (GOD, I’M SO BAD AT EXPLAINING THINGS)
Sure! I’m always happy to answer any questions~ So, I mainly use Paint Tool Sai lately and then I use Photoshop CS2 for touching up. I have 2 primary styles of coloring: Painted-Lineless and Hard-Lined. My Mew avatar would be an example of one of my hard-lined drawings. I mainly use 2 brushes and 2 erasers in Sai:
I really like using round brushes with soft ends for sketching as well as soft coloring and blending. So for my Mew drawing, I used my soft brush, Luke, for the initial sketch:
After I finish the sketch, I draw the line art using my hard brush, Guy, and then I smooth out and shape the lines in places I see fit:
When doing a hard colored picture, I’ll use Guy. I’ll do blocky, sharp shading like this:
Now, this is a point where I’ll take the drawing over to Photoshop. To make the pixel-y pattern, I like using Photoshop because it’s a lot easier to use the pixel brush there. You can find the brush here, I have it set to 2 px to make a larger block:
And then I just checker it to make more depth in the shading. However, this is a stylistic choice specific to my 151 Pokemon Challenge I’ve been working on. It’s really useful for creating that retro kind of look on a drawing!
That’s the gist of how I tackle a hard-shaded drawing. Now, I tackle a lineless, painted style drawing a bit differently. I’ll use my Sableye drawing for example. I still start off sketching with my soft brush, Luke:
But after that, I put a rough, base coloring underneath and maybe clean it up just a little bit:
From this point, I merge the two layers together so that I only have one and I’ll “paint” on it with Luke and clean up edges with my soft eraser, Asch.
After I’m done with the character, I’ll put in a background and ta-da!
So that’s my process in a nutshell. Sorry if it’s not super informative, but I hope this helps a bit!

Jean-Luc Godard Week
Contempt, 1963
Cinematography: Raoul Coutard

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I need this in my ref tag, decided to post it
I don’t own nor have I created anything in this blog unless the post/images specifically say so…
someone asked me to do a hair and face tutorial, but i’m not so good with faces so i only drew the hair one uvu


















